Green Metal

If there’s one trend that can be relied on to unite some of the ugliest, most hate-filled bands in metal, from sludgy apocalyptic bastards to black metal straight from the darkest, wettest Norwegian forests, it’s the environment. Even the most misanthropic of bands appear to view man’s mistreatment of nature as a source of outrage. What is it about mother nature that turns snarling nihilists into advocates of peace, love and harmony?

Well, first off, there are very few true nihilists making music, let alone metal. To make something artistic you have to be passionate about it — if you are angry about the absence of meaning in one thing, then you are comparing it to the presence of meaning in something elsewhere, in some capacity. Metal is full of anger.

Mmm-bop by Hanson was a nihilist masterpiece. Grey by Emperor, by way of contrast, has real passion. Metalheads are very rarely true nihilists, even if some claim that they are in magazine articles and the like.

There’s no reason why metal shouldn’t be environmentally conscious, then, any more than other music, but that doesn’t explain why metal is so very conscious of the destruction of nature.

Part of the explanation is probably a certain degree of misanthropy, for some bands. Varg Vikernes especially is an incredibly hate-filled individual, and his hate for humanity makes it easier for him to identify with movements that seek to downplay the impact of humanity.

His solution is probably over-the-top, to say the least. I believe the gist of it was “Systematically eradicate 99% of the human race”, the 99% being his figure. He’s not alone, though, there are many bands who despise the industry of humankind, some of whom hold fringe political beliefs, some of whom do not. Black metal bands often arrive at this praise-nature-hate-man attitude through a number of routes, but the main influencing factors are, in my opinion, depression and self-hatred, externally directed hatred, nationalism and localism,and shamanic mysticism.

Another reason, linking to the shamanic mysticism I just mentioned, is that some metal bands are fond of certain herbal remedies. This, for some reason, tends to lend many people into a deep appreciation of nature, as there’s some degree of cross-over with certain elements of hippy culture. I’ve definitely heard fans of sludgy stoner metal band Electric Wizard describe themselves as the “anti-hippies”, and there’s a fair amount of similarity between the two groups.

The appeal of apocalypse further adds to the likelihood that metal bands will be, to an extent, green. Whether zombies, mutants, nukes or aliens, almost every apocalyptic parable tends to have a message of “you reap what you sow”. The grisly and immediate impact of the end of the world, and the frustrated anger that comes with it, is great fodder for a typical metal band.

The most substantial reason, though, in my view, is that metal bands are traditionally political, and that green, environmental issues are implicit every time we make a decision about how we change the space we live in, whether as individuals or as a society, whatever decision you choose to make. This means that environmental issues are hugely important political issues to most people in their every-day life.

It explains why groove-laden death metal band Gojira focus almost entirely on eco-issues a lot more, that’s for sure — long before it was the done thing to up the brutality and tech, early death metal bands like, well, Death, were focussing on social and political issues.

A predisposition of angry music towards politics is also what lies behind most of the reasons black metal bands often embrace eco-consciousness so fully (nationalism, elitism, etc.), while thrash metal bands, far from the cartoonishly over-the-top image the mainstream might have of them, have always been involved in politics in some way. Megadeth are only the most visible exponent of political thrash metal.

All-in-all, it strikes me as odd that I’ve never, or only very rarely, seen commentary on just how damn green metal is before. From Alcest to Burzum, from death metal lyrics like “I still don’t get the point, what’s worth destroying all the world,” to alt metal lyrics like “Eating seeds is a past time activity,” environmental consciousness is a rare unifying theme in metal, to the point where it begins to get a little unnerving.

Flametalco.

Tagged , , ,

Triple-A Games

I’ve never really been blown away by triple-A games, and I think I’ve just worked out why, thanks to Diablo III, which should in theory have me stupidly over-excited. It looks great, as far as I can tell the combat system looks fun and balanced, the graphics exceeded my expectations for the series. Also, an epic and apocalyptic storyline, huge fuck-off bosses to fight, and a fairly detailed library of mystic lore to wade through.

Furthermore, I tend to be pretty accepting of annoying control quirks, bizarre difficulty levels or learning curves, and generic heroes. As a gamer I’m pretty easy to please.

What actually irritates me, in a typically contrarian fashion, is when gameplay flows too well, when it integrates too perfectly with the environment of the game, and when it’s too intuitive.

Part of the appeal of gaming, for me, has always been mastering an unfamiliar system. Clunky old controls that clearly delineate actions and results (you can only go north, south, east or west; if you go north, you will be eaten by something altogether gruesome), those represent something unfamiliar, something more rigid than daily life, something to be understood and beaten.

This is part of why Dwarf Fortress really grabbed me a while back, and wouldn’t let me go until it had broken my laptop. Contrary to the trend for immersive gameplay to be considered synonymous with good gameplay, I enjoy games that are sort of clumsy. Why? Because they are different to real life. They’re a fun system to be mastered, and you can get a sense of achievement from completing goals within them.

I suspect this lies behind a lot of the prejudices a certain type of gamer has about triple-A titles versus indie or retro games, as well.

So, that’s why I’m not really that excited about Diablo III. As far as I’m concerned, it just looks a little too good to be worth my time. See a trailer embedded below, if you must.

You’re right, this post makes very little sense. I really don’t care.

Tagged , ,

An Elegant System Of Magic

The Lord of the Rings is now so synonymous with the ‘mainstream’ fantasy genres that its originality and importance has been all-but-forgotten.

Hi, I’m some internet douchebag, and I’ll be spouting my opinions for the next thousand-words-odd.

Some internet douchebag.

This is not actually me, but it might as well be. Look at that douchebag smile, eh? Image by Victor1558

The Lord of the Rings films especially have contributed to people forgetting about one of the trilogy’s most significant defining features.

The treatment of magic in Lord of the Rings was truly incredible, given how the culture of the time treated the idea. At the time, popular ideas of magic divided broadly into some sort of ethereal stuff that pervaded everything (yo, new-agers!), Satanic powers derived from dark rites (yo, teenagers!), and complex mathematical & pseudo-scientific systems that were intended to form a complete philosophy (different kinds of new-agers!).

This is hugely simplified, but I think that most mainstream belief in magic at the time fell into one of these groups.

So, we had Magic As Fifth Element, Magic As Demonic Power, and Magic As Science — essentially the spiritual successor to alchemy. There was some overlap between them, but that’s not the point.

The point is that The Lord of the Rings was, in large part, based around Tolkien’s rediscovery of an alternate type of magic, Magic As Words. I say rediscovery rather than invention, because although largely forgotten by the English-speaking world, words were still magic in the folk traditions preserved by the Kalevala, the Finnish national epic.

This epic forms a vital link to the Scandinavian epics of the more distant past, which also recognised the world-altering power of words and cunning. These are probably why we still think of ‘runes as power’ magic ‘spells’ and wizards as scholarly, old, grey-bearded individuals.

Wizard, Crystal Ball

This picture is so awesome I feel bad about using it in my blog post. Image by Sean McGrath, some rights reserved.

So what does this mean?

Rather than a mystic idea of innate control over fire, earth, air and water, magic was the preserve of people who were good at persuading others. Magic was in the words of great leaders, poets, visionary seers and desperate pleas of protection etched into keepsakes and talismans.

This idea pervades the novels of The Lord of the Rings, keeping the magic more earthy and real-seeming. These novels in turn kickstarted the fantasy genre as a whole, and managed to influence how genre magic systems worked for a long time. I feel very strongly that this approach to magic was a Good Thing.

Over time, though, the power of words decayed, leaving only the ‘power’ part behind.

Dictionary definition

Words words words. Image by Dustin Askins.

Excellent writers began to talk of tapping into mystic forces that ‘existed’ in some way outside the known Universe (chaos, law, light, dark, ether — Magic As Fifth Element), awful writers whose lawyer-happy legacy-holders I’d never dream of crossing wrote of bizarre and stupid pseudo-scientific magic systems (Magic As Science — obviously), and vampires, demons, daemons and devils began to creep back into mainstream depictions of magic (Magic As Demonic Power).

These writers weren’t and aren’t linguists, as Tolkien was, and therefore couldn’t create such intricate systems to highlight the mysterious, subtle, but ubiquitous power of language. So they used powers that were just as mysterious and ubiquitous, but less subtle. In my opinion, this is a Bad Thing for fantasy, making its worlds too arbitrary in construction and inherently prone to goatse-scale plot holes.

Of course, when non-linguists do genuinely try to create word-based magic systems, you end up with stuff like Wingardium fucking Leviosa, but that’s a kids’ series so I can’t really get too worked up about that.

I guess.

There was recently a brief revival of Words As Magic due to the popularity of roguelikes, which allowed words and strings of characters (runes?) to retain the subtle power they once had, rewarding scholarship and intelligence with useful items and punishing the random use of scrolls and magic with an inevitable death. Even roguelikes seem to be primarily focussed on blowing shit up, now, though, or at least the ones that are widely available are.

Rogue Death Screen Amiga

This is what playing Rogue would look like 99% of the time. Image by Blake Patterson.

I bring all this up because I’ve just started reading a best-selling fantasy novel that is incredibly enjoyable. It’s dumb as hell, but enjoyable.

This vastly enjoyable novel embodies the loss that fantasy novels have undergone.

Without the solid grounding in linguistics, and I’m not kidding here, we have ended up with a main character named F’ryan. Unfortunately, his second name isn’t Pan, but as far as I’m concerned it might as well be.

The magic in the novel is invoked by vague wishes, and it is explicitly stated that it is a force which suffuses everything. This is barely even Magic As Fifth Element. Magic is just something there, unexplained, that means that the rules of the universe can be broken and formed by the author more-or-less at will.

In short, there has been no attempt to pay any attention to the value of words at all, and this in a novel of all things.

I admit that this is a wishy-washy sort of criticism, probably born of the fact that I really like words and get frustrated that some people don’t.

Lobster phone.

Ring ring ring ring, ring ring ring ring, belobstered-phone. Image by Milestoned.

Let me make it more concrete: The reason this is specifically bad for fantasy is that it makes the world of the story seem a mere abstraction. A character can wish for a giant lobsterphone as easily as to vanish, and with just as little emotional connection to the reader. I say ‘seem’, because there are generally secondary rules governing magic. Unlike a tabletop RPG, though, having to explain the rules of the game before you can read a book is almost always clunky and poorly-done.

Words in fantasy should be important.

Won’t someone please write something that makes this clear?

If you don’t, I guess I might have a go, and you don’t want that, trust me…

There are some cool pseudo-scientific things in literature, such as in Perdido Street Station and The Weavers of Saramyr, in which the ideas of superstring theory seem to be invoked — increasingly, magic is seen as playing with the ‘threads of reality’ in some way, which is deeply cool. I just think, you know, that words can play with the threads of reality already. Why not combine the two things? Why not?

Buy all the Moonsorrow please.

Tagged , , ,

How Not To Reach A Word Limit

Writing freelance for a living can be tough at times.

Deadlines are made to seem like the most important things in the world, until you actually submit the finished copy and, mysteriously, the dates on which you were supposed to receive payment start to slip by unnoticed…

Juggling the huge number of deadlines and clients you have is not just important, it’s also really difficult. You have to be completely on top of everything, because if one thing slips then all your work is affected.

I understand that it’s difficult, and the temptation to bullshit is huge, but the thing is, your client will notice. Even if the client doesn’t notice, they will have proof readers who are much better at everything than you are.

Still, even knowing that, people will attempt to slip drivel past the radar. Here are the most egregious ways copywriters attempt to reach word limits.

Belgian Waffle

On an unrelated note, here is some waffle. Image by ralph and jenny, some rights reserved.

1. Discussing your own interests.

It’s tough to write a thousand words on the topic of soffits, I know, I get that. I’d find it tough too. That’s still no reason to start an article like this:

The Dead Kennedy’s song Holiday in Cambodia mentions a world in which “people dress in black”. In the real world, by contrast, the current trend is for white. White gutters, white fascias and white soffits are all attractive options for your house…

Now, here’s the mistake you’ve made, anonymous copywriter. Ready?

You are not a journalist.

Yes, it is unfair that some people get to write about their favourite songs and how little Caspian got into a horrible fracas at school and get paid for it, while others are forced to write about the technical specifications of uPVC products, but that’s the way it is. You can’t get round that by just writing the same drivel they do.

Come on. Journalists aren’t writers, they’re professional personalities. You are a professional writer. Act like one.

2. Phrasing everything as a question and answer.

I’m interested in just who you think you’re fooling with this one. Example:

You might be wondering, what kind of gutter is best for most houses?

Well, it is the case that most houses will benefit from a professionally installed gutter.

Man with question mark head.

Dude, that's like, so deep, and stuff? Like, all our life, is like, a question? You know? Image by Marco Bellucci, some rights reserved.

It’s not just that it’s dishonest, it’s that there’s nothing being said. Readers pick up on this stuff, it looks unprofessional, desperate and leading. The awkward, laboured set-up also gives an “English-as-a-second-language” feel, which makes sites feel, rightly or wrongly, as though they’ve been done on the cheap.

In most cases this can be easily avoided by simply picking one aspect of the previous sentence and explaining it, or expanding on it, whichever is more appropriate. Or, you know, you could actually do some original research.

3. Rephrasing everything three times.

This is just dumb.

Soffits are an excellent way to make your house attractive. Using fascias is a great way to give your house more beauty. To make your house more aesthetically good be sure to use lots of guttering.

Yes, people write like that.

People write worse than that, and get paid good money to do so. This is because writing is not seen as a skill in itself, but that’s an entirely different subject.

This gets spotted, and gets one of two reactions, either the world-weary sigh and a “Fuck it, it’s nearly the end of the day,” or an instant rejection. Sadly, the first reaction is more common, so many copywriters just, well, carry on doing this shit.

Please stop. It makes me feel very sad.

4. Including your own batshit insane opinions.

Umbrellas are a magical forcefield that protect from all forms of assault.

If your woman isn’t either cooking or learning to improve her cooking, you are in a failed relationship.

The communists are winning, and they want people to be poor so that they steal from you.

I have read all of these opinions taking up space inside articles, and they generally appear to warrant at least a paragraph or two. These are all genuine examples, albeit paraphrased from memory.

In the case of the notorious umbrella article, my colleague Dan can attest to its existence. This was a true masterpiece that managed to combine victim-blaming, arrant sexism, and veiled threats to murder you and your family if you didn’t buy the product in question (bizarrely, this was not an umbrella).

I Am Not Making This Up.

Although the umbrella article was relatively anomalous, it definitely merits a mention due to the author sticking to his theme throughout the entire article, skilfully weaving in references to the life-saving qualities of umbrellas willy-nilly.

Haha, willy. Sorry.

Hang on a moment.

Threats of murder unless you pay out for protection?

An obsession with umbrellas?

Repugnant sexism and a distinct hint of thwarted sexual aggression?

Picture of The Penguin.

Image by Vancouver Film School, some rights reserved.

My God! The Penguin?! Is that you?

Other Batman villains who have apparently become copywriters include Harley Quinn (who tends to become terrifyingly infatuated with the products she is writing about) and The Riddler (whose impenetrable enigma(s?) hint at, but never wholly reveal, exactly what they are trying to talk about). The elegant and sophisticated Catwoman never makes an appearance for some reason, although given her recent portrayals I guess she’s probably gone underground for a while.

Listen to dat intro without letting the words “John Shaft” come into your mind. It can’t be done. IT CANNOT BE DONE.

Tagged , ,

Is Water A Ghost?

I have created this helpful infographic for people who are not sure whether water is a ghost or not.

Is Water A Ghost? Infographic

Photos by Steven Depolo and Adam & Tess, some rights reserved.

So what did you do with your day?

Tagged , , ,

True vs. Trve vs. Troo

Now, a lot of people get confused by all the true-ness flying about in metal these days, so I’m making it as simple as possible, lest ye be laughed at for using the wrong incorrect spelling of true in the wrong context, or the incorrect spelling of true when the correct spelling of true was required. Bear in mind that the definitions I give may just be the ones I come across most in my own little circle…

It occurs to me that that explanation was not as simple as possible.

Alright, fine:

True = Energetic, Excitable, Possibly Oiled, Lacking In Irony:

In a word?

Manowar.

Shut up, that is totally one word and not three mashed together.

Troo = Death Metal, Misanthropic, Filthy, Mindless Aggression:

In a word?

BROOTAL.

Trve = Black Metal, Misanthropic, Underground, Raw:

In a word?

Elitist.

That’s the basics of the trues, trves and troos, as far as I am aware. If I fucked anything up – or indeed fvcked anything up – be sure to tell me in the comments.

Or if I left anything out, for that matter.

On a not-entirely-unrelated note, this is awesome.

Tagged , , , , , ,

Learning To Suck At Boxing

People who’ve read this blog before may or may not have seen my post on karate, and judged me accordingly. To save you reading the post — wait, that’s really not in my interests at all.

Read the damn post.

Done?

Alright, we’ll continue.

Although scarred by my completely fruitless brush with karate, in an age before pretending to fight by dancing was cool enough for wealthy hippies to attempt while wearing ‘ironic’ combat trousers, I was resolved to give martial arts another go. An alternative explanation is that, despite my deeply ingrained aversion to martial arts, I realised I was developing an un-ignorable pot belly and wanted to retain my dignity, because being both lanky and fat causes people to stare at you like you’re some sort of bizarre optical illusion.

Probably the sort of illusion sponsored by the government at the tax payers’ expense, they would continue to themselves, adding that not many people knew this but a Polynesian mime in Hackney was receiving £500,000 a year to spit in white people’s mouths from the council on account of the political correctness. In my head, anyone who criticises me is an avid Daily Mail reader, and thus safely ignored.

So it was that with fire and cheap pasta salad in my belly I headed down to the gym recommended by my girlfriend, in an attempt to conquer my demons and finally learn something that might prove useful in the real world (no offence, all of the arts and humanities subjects). Useful for hitting people with, but useful none-the-less.

On my first visit, I managed to enter the building no fewer than four times in an attempt to join the class.

It was on my fourth attempt to awkwardly get the attention of the boxing instructor without actually drawing attention to myself that I realised I might not be cut out for boxing. I left without having boxed a single box, pretty disheartened, my aversion to martial arts cemented in my mind.

This week, though, was different.

I strode confidently in like I had every right to be there, handed the instructor the cost of the lesson, and jumped right into the first class.

That was the point at which everything started to go wrong.

You see, nobody had told me that we were supposed to bring boxer shorts. No-one had told me that heavy black jeans were not suitable for long periods of exercise and sweating.

really wish someone had told me about all the jumping. I could’ve worn a belt, and that would’ve saved me an awful lot of time spent waddling around the room with one hand clutching my jeans and the other flailing around in a pale imitation of an actual punch.

More importantly, it would’ve stopped my trousers falling down, which in turn would have stopped people from leaving their boxing lesson with my pants indelibly imprinted upon their minds.

Further to this, nobody had told me that exercise was hard.

Sure, you might say that I should have worked this out for myself, but (a) I didn’t and (b) shut up.

I had a dim recollection of exercise from my student years, and an even dimmer, abstract sense that it might in some way involve hardship. On the other hand, I had completely forgotten what it feels like to have every muscle in your body simultaneously burning and shivering in protest, feel like you want to throw up, have a pounding headache that is probably representative of your imminent death from severe dehydration, and be incredibly, painfully aware of every single artery in your body.

That said, the entire experience was kind of, well, fun.

I learned how to take steps, how to move my arms out in front of my face, and numerous other things I should have mastered by the age of two. What more can you ask for?

I’m going back again this week.

I might bring a belt though this time, more for their sakes than my own…

The instructor kept looking over during the warm-up exercises to see if I was dying. To be fair, I think I may have been.

Everyone who listens to Five Finger Death Punch has a barbed wire tattoo. Fact.

Tagged , , ,

The Hidden Curses Of Being Tall

I have a confession to make: I am a tall man.

Not that tall — I am almost invariably the second tallest person in a random selection of thirty people — but certainly not short.

While there are upsides to being tall, there are also an awful lot of downsides to balance this out. I have to Lean conspicuously to one side to carry heavy shopping bags to stop my back from snapping in half, for instance.

Short people are rarely convinced of the terrible privations that come from being quite tall, so I have taken the liberty of compiling a definitive list of the weaknesses that come with being a tall person. Enjoy, or failing that, read the words, or failing that, see how rapidly you can lick your knees (you have to lick alternate knees or it’s cheating. Note that this is another sport tall people are bad at).

  • Tall people are always asked to reach the highest shelves, even if we’re really tired and don’t like you very much.
  • Tall people sway violently in strong winds.
  • Shorter people can see up the noses of tall people.
  • Shorter people end up with their faces crushed against the armpits, belly, arse or crotch on busy underground trains. This might seem like it’s a curse of being short, but for one thing tall people don’t want a short person in their crotch (or at least, not without some sort of spoken arrangement beforehand), and for another thing, it makes us feel like just by being tall we are imposing on the world.
  • The elderly are terrified of us.
40 foot tall wicker man.
  • When we lift up young babies above our heads to play aeroplanes, they are instead cut into small pieces by electric fans.
  • There is more of us to punch.
  • We have a higher centre of gravity.
  • Because our seats are further back in our cars, we cannot see out of our windows as easily, and thus we must edge forwards at busy crossroads until we are already causing a dangerous obstruction, and frustrated motorists make very mean gestures at us.
  • Headrushes.
  • When we suddenly need to be sick into a toilet bowl, say, on a convivial night out during the wee hours of the morning, we are faced with a choice of aiming from a distance and spattering ourselves with vomit, or rushing down to meet the bowl and risk an inebriated miscalculation that could leave us with ceramic stuck in our faces. Not that this ever happened to me.
  • The word “gangly”. Ditto “lanky”. Even the worst insults levelled at the short have some degree of squat, energetic dignity to them. There is no dignity for a gangly man.
  • Seriously, even the phrase “gangly man” is ridiculous.
  • We are naturally disadvantaged when it comes to potholing.
  • Elbows. Elbows everywhere.
  • Same for knees.
  • Dancing is impossible. There is too much going on, too far from the brain, to make any sense of. A tall person’s body is like a puppet, only instead of strings there are a series of tubes that intermittently blast angry weasels into the puppet’s limbs.
  • We are unable to wear hats. A (tall) friend of a friend described tall people in hats as fitting two Dickensian archetypes: the chimney sweep and the undertaker. Nothing else.

Alright, it might not be that bad being tall. If you want to see more pointless complaining, try reading my post on getting through crowds, or trying to.

This one time, I totally stayed up all night, and stayed up all night, and stayed up all night, and that is all for a long time.

Tagged , , , ,

Thor In The City Of The Giants

When I was a child, I had a book of Norse myths and legends. It was absolutely my favourite thing in the world for about two months out of every year, after which I would get tired as kids do and leave it somewhere dusty. This cycle only ended when I got to the age of fourteen and everything suddenly became incredibly tiring and pointless.

The point — which I am getting to, I promise — is that there was one story from that collection that I enjoyed more than any story I’ve ever read, before or since. I’m not sure why.

Maybe it was because it illustrated the great feats people can achieve when they’re not told how hard they are. Maybe because it was the first story I ever read that dared to take a figure who was the avatar of power and strength, and make him seem vulnerable, almost afraid.

This story, the story of Thor in the city of giants, resonates with me to this day. I love it, and have retold it here as much in my own words, from my own flawed memory, as possible.

I hope someone else reads it and takes as much from it as I did.

If the Norse god Thor had been in your class at school, he would’ve been the scarily intense and fairly thick teenager who lifted free weights all day under the mistaken impression that this would make him attractive to whoever he was interested in. He would also be the kid who genuinely thought that it was impressive that he punched walls when he was angry, and who got into altercations with the police when everyone else was trying to have a nice night out.

Loki, meanwhile, would have been the vaguely goth-y teenager who made provocatively edgy arguments in philosophy class and sneered at everyone, while thinking that they were much smarter than they were.

Neither was particularly pleasant, and of course each disliked the other an enormous amount.

Thor, being a rather competitive god by nature, was perpetually looking for a challenge. Loki was always looking for an opportunity to see Thor fall flat on his face. So, of course, after what passed for banter in the age of beards and the celebratory mass imbibing of rotting bee-spit, they both went to the land of the Jötunn.

On the way there, Thor and Loki rested in a peasant’s hut. The peasant had no food to offer the two gods, but did have a couple of really big goats. Probably the peasant lived on their milk, it’s not recorded.

What is recorded is that Thor slew the two goats, ate most of them (kindly inviting the peasant’s family to join him in eating the stew that was their livelihood), and then forbade the hungry peasant family from sucking the marrow from the bones of the goats. He did not explain why, but then he was the mighty god of thunder, and probably rarely had to explain himself to anyone.

Their teenage son Thialfi ate some of the marrow from one of the smaller bones, as should have been expected.

The result of this was that, the next night, when Thor re-animated the goats by magic, one of the goats — belonging to the peasants in the first place, you might remember — had a slight limp. Thor was furious.

Thor was in a pretty much constant state of mild to moderate fury, but the nerve of this peasant boy in slightly damaging some of the property which belonged to him anyway, and which he had not been told was particularly important, made Thor so angry that the peasant was reduced to begging for his life.

Thor eventually relented, and by relented I mean he kidnapped both the peasant’s children, Thialfi and Roskva.

Once the two gods and two terrified peasant children entered the land of the Jötunn, it was night, and they were forced to seek refuge in a cave, spending the night in a side chamber a little way in. During the night their sleep was disturbed by constant earthquakes and thunder, with the result that Thor woke up feeling cranky.

On leaving the cave, Thor saw that the loud noises had actually been the snoring of the giant Skrymir, who was resting peacefully nearby. Naturally, he put on his belt of strength and iron gloves, and attempted to cave the thing’s skull in — however, Skrymir awoke before he could commit murder as his first act of diplomacy in a foreign land, and politely asked him what on earth four tiny people had been doing sleeping in his glove.

This strikes me as a fairly reasonable question. The four are supposed to be quite shocked at the size of the glove which doubled as a cave, and much is made of this, but I think it would be much more of a shock to discover that there were tiny people living inside your clothes. I have only felt that there were tiny people living in my clothes a couple of times, and each time I was more than a little unhappy about the situation.

Skrymir — lest we forget, Thor’s intended murder victim — seems quite amiable, and noticing that they’re going the same way as him, offers them a lift. I imagine there was much awkward “Oh, this hammer? Why, do you know, I barely noticed that I was wielding the thing!” before this point, but the skalds don’t seem to have sung about all of the social faux-pas of their most warlike gods. Probably a good survival tactic.

As night fell a second time, Skrymir let his knapsack full of food fall to the ground, and fell asleep.

Naturally, Thor tried to steal some food from the knapsack, but couldn’t. In petulant frustration, he drove his hammer into Skrymir’s head.

Skrymir, who probably was just being a sarky bastard, simply rolled over and asked “What happened? Did a leaf fall on me?”

Thor went back to trying to undo the knots on the knapsack, and still he couldn’t do it. He got even more hungry and cranky, and drove his hammer into Skrymir’s head with more force.

Skrymir rolled over and asked “Was that an acorn?” before promptly falling back asleep.

Thor continued with his struggle a little while longer, before, exasperated and confused and tired and probably needing to be burped, Thor drove his hammer into the skull of Skrymir with all his godly might, resulting in a most satisfying squidgy fleshy sort of sound.

This time, Skrymir woke up, and asked “Did a bird drop a twig on me? Gah, never mind, it’s morning. You’d better get going or we’ll never get to the Jötunn citadel of Utgard. The Utgardians aren’t weak and feeble specimens like me, though. You’d best show them some respect!”

History does not record what the sound of a deity crapping his pants is.

The four of them continued on their way, though, and eventually reached the gates of Utgard, finding them locked and barred. Thor, not having spotted the theme of his being constantly humiliated and made to look small, attempted to pry the gates open with his considerable brute strength, but failed, and the four had to try to squeeze through to the courtyard of Utgard.

As they entered the hall of the Jötunn, the creatures stared at them with contempt. The chief questioned Thor’s manliness and size, and the fact that Thor did not respond with immediate brute rage shows just how genuinely terrified for his very life Thor was.

The four were allowed to stay, but only if they entertained their hosts with feats of strength and skill.

They began with an eating contest. Loki, who was never full even when he ate all day and all night, was pitted against a giant named Logi. A huge number of dishes were placed in between the two competitors, and Loki warned the giant that he was extra hungry that day, because he had not eaten anything since the previous morning.

The giant and the god started at opposite ends of the tables, and ate towards the centre as fast as they could. When they met, the giants found that they had met in the exact centre, and were ready to declare an honourable tie — until they noticed that Loki had only eaten the meat from the bones, while Logi the giant had eaten the meat, the bones, the dish, and a good section of the table underneath it.

So Loki lost the first challenge.

Next, Thialfi, being small and fast, was set against the giant Hugi. Even as Thialfi warmed up, he was so fast that you could hardly see him. However, once the race started, the giant showed that he was just as fast — but he took enormous steps while Thialfi’s steps were only small. Hugi turned around at the end of the race and met Thialfi as he returned, finding that Thialfi had only made it halfway down the track.

So Thialfi lost the second challenge.

Finally, Thor was challenged to a drinking contest. Thor was thirsty, tired and needed a drink, so he agreed to the challenge. The giant chief laid out the terms of the challenge — any giant of worth could drain the drinking horn in one go. All but the most feeble giants could drain it in two draughts. Only the weakest and most pathetic runts would take three draughts to empty the horn.

The drinking horn was only a little larger than the horns the gods drank from, and Thor was a thirsty drunkard, so he accepted the challenge.

With the first draught, he drank as much as he could, until his lungs were bursting from his chest, but the drinking horn hardly looked any emptier.

With the second draught, again he drank until he almost passed out for want of air, but the level of mead in the horn was no lower.

With his final draught he pulled further and deeper from the horn than he had ever thought possible — and still, when he looked back at his work, the horn looked hardly any emptier.

The Chief of Utgarde laughed, and said “Such a feeble god! I recommend that you give up now, to save yourself from any further embarrassment.”

Thor was defiant, and said “I will attempt any feat you choose to put before me.”

The Chief looked thoughtful, then said “Alright — I have a task suitable for someone like you. Only a game, really, that our very youngest play. See that grey cat over there?”

Thor looked and saw that there was a large cat, probably twice the size of a wildcat, curled up by the fire.

“If you can lift that cat completely from the floor, I will consider that a feat of strength.”

Thor snorted, and went confidently to lift the cat — but the cat clung tightly to the floor without even opening its eyes, and Thor only managed to lift a single paw from the floor.

The Chief came over, helpless with laughter, saying “Stop, stop, stop! You have done more than enough to discredit the name of mighty Thor for one evening. Don’t worry about this — it is kind of a big cat, after all.”

Thor was furious(er than usual) at this. He demanded that, since he was so weak, he should be allowed to fight the very mightiest of the Jötunn. The Chief looked serious, and explained that there would be great shame for any Jötunn to fight with someone who could barely lift a cat — but that he would allow him to fight his old nurse, Elli.

Elli was a very old woman, whose bones creaked as she moved. Although she made her way towards Thor determinedly, her steps were slow and looked painful to make, and her clothing gave off a strong dank odour, as though she were already in the grave.

Thor being Thor, he entered into the battle with all his might, attempting to crush the old woman into submission.

She did not relent though. In fact, Elli did not even flinch in the face of Thor’s assault. Slowly, she began to push back, and Thor found himself, shocked, being wrestled into submission.

Even the Chief looked embarrassed on Thor’s behalf at this show of weakness, and as soon as Thor was forced onto one knee, he came forwards and stopped proceedings. “Stop!” he said, “The fight is finished. Thor and his companions have done their best, and will be allowed safe passage through Utgarde.”

Thor was ashamed, and wondered how he could ever hold his head up among the gods again.

However, it was revealed to him that not all had been as it seemed.

The Jötunn Skrymir was none other than the Chief of Utgarde himself, and had been deceiving him with his magic.

Where the three blows of Thor’s hammer had landed — not on Skrymir himself, but just next to him — three huge valleys had formed, each deeper than the last.

Loki’s opponent in the eating competition had been Fire itself, and had eaten through everything in its path, but still was challenged by Loki’s impressive hunger.

Thialfi had raced against the swiftness of Thought itself, and proved himself to be a third of the speed.

When he had drunk from the horn, it was magically tied to the sea, and though Thor did not empty it, he reduced it and created the tides that continue to this day.

Finally, when Thor lifted the cat’s paw, all of Utgarde trembled in fear. It was not really a cat, but the Midgard Serpent Jormungandr, who circles the entire world, and lifting its paw was a mighty feat.

Most impressive of all was the old woman, who was Time. In the end, everyone falls to Time — but Thor was merely forced onto one knee.

Thor was angry at this, because he had no other emotions, and attempted to smash the Jötunn, having learned literally nothing from the whole story, and the Jötunn and Utgarde disappeared from view.

Loki probably said something smart-ass and then they all had ginger beer and ice cream floats that weren’t as good as they remembered them being when they were children, because ice cream floats are a little pointless if we’re honest.

Despite the title of this post, I have used Jötunn instead of giant throughout. This is for a couple of reasons.

Jötunn is often translated as giant, but the English understanding of “giant” doesn’t really cover what most of them were. They were often huge, but some were only around the same size as the gods, while others were wolves or multi-headed foot babies. I imagine most of them as being like things from the stunningly atmospheric computer game Shadow of the Colossus.

The point I’m making is that these things aren’t just big people. They are bizarre, powerful, magical creatures of many different sizes. Thor and Loki going to the land of the Jötunn is like a brave knight in English tales going into the land of the fair folk, only the fair folk are all enormous and some of them are giant snakes.

It’s a scary place, is the gist of my point (if I have one).

It also means that the “giants” Thor faces actually could be Jötunn, in the sense that they are natural spirits, rather than natural forces disguised as giants, which gives the story quite a profound edge, in my opinion.

I do apologise for mangling the grammar of the word, though, which I am sure I have done throughout the story. Find some weird legends over here.

Yes hello why are there bees.

Tagged , , ,

Bath Spa graduate secures six-figure book deal

Reblogged from :

Click to visit the original post

Brian Kimberling

ARC is very excited to announce that Brian Kimberling, who graduated from the course in 2010, has just secured a six-figure publishing deal for his book, Snapper!

Brian started writing Snapper whilst on the Masters in Creative Writing at Bath Spa. It went on to win the Janklow & Nesbit Bath Spa Prize, the annual literary prize open to graduates of the course.

Read more… 28 more words

Excellent news from the MA in Creative Writing at Bath Spa University. The Arc Anthology looks like it's going to be very exciting, with poetry from published poets James Davey, Daisy Behagg, Lucy Sixsmith and Hazel Hammond, and a consistently high calibre of fiction-writing as well, including many of my favourite bloggers among their number.